IMDb 0 2021 HD

You Will See Me

You Will See Me

2021
Documentary
10 min
0 IMDB

A five-channel video installation commissioned for the permanent exhibition space at the Australian Centre of the Moving Image (ACMI). “The camera doesn’t just capture us, it frames who…

Personnel // Cast & Crew

Director Sari Braithwaite / Conor Bateman

How Viewers Describe This Film

Common themes and sentiments

thought-provoking immersive conceptual contemporary reflective engaging complex artistic challenging modern insightful performative

Reviews

I
Isabelle Moreau
Mar 29, 2026
4.0 / 5
4.0

At ACMI, 'You Will See Me' stands as a powerful five-channel video installation, a testament to the evolving landscape of self-representation. It artfully navigates the terrain between personal expression and public performance, highlighting how the camera has become…

A
Arthur Finch
Mar 29, 2026
3.0 / 5
3.0

Commissioned for ACMI's permanent collection, 'You Will See Me' is an ambitious five-channel video installation that tackles the pervasive influence of the camera on identity. The piece traces a lineage from early self-filming to the performative demands of…

G
Genevieve Dubois
Mar 29, 2026
4.5 / 5
4.5

'You Will See Me' is a masterclass in visualising the intangible. This five-channel video installation at ACMI doesn't just show us images; it interrogates the very act of seeing and being seen. It brilliantly connects the historical impulse…

M
Marcus Bellwether
Mar 29, 2026
3.5 / 5
3.5

As a permanent fixture at ACMI, 'You Will See Me' offers a timely meditation on the ubiquitous nature of the camera in contemporary life. This five-channel video installation doesn't tell a story so much as it presents a…

E
Eleanor Vance
Mar 29, 2026
4.0 / 5
4.0

ACMI's 'You Will See Me' is a deftly curated five-channel video installation that probes the very essence of how we are perceived. It eschews conventional narrative for a more abstract, yet deeply resonant, exploration of identity as mediated…

FAQs

The installation connects contemporary digital self-representation to a longer artistic tradition. By referencing artists and amateurs who turned the lens on themselves since the mid-20th century, it positions itself within a lineage of self-portraiture and auto-ethnography. It demonstrates how the accessibility of camera technology has consistently empowered individuals to curate their own image and explore their personal narratives.