Year Zero

The film was shot around the world, a geographical breadth that promises a diverse visual tapestry. While specific locations aren't detailed, the global scope combined with the 'novel setting' for surfing suggests a departure from conventional surf film locales. This worldwide exploration, captured on super 16mm, aims to showcase surfing in a fresh context, allowing the cinematography to highlight the unique environmental and atmospheric qualities of each place, thereby enhancing the film's overall aesthetic appeal.

Year Zero is presented as a film that captures the essence of surfing in a novel setting, suggesting it leans towards a more artistic or experiential approach rather than a traditional documentary. While it features prominent surfers, its focus on 'stunning visuals' and a 'unique concept' implies a cinematic interpretation of the sport. It's likely to offer a visually rich and conceptually driven exploration of surfing, rather than a straightforward biographical account.

The film features a soundtrack curated by the band Black Mountain, a detail that hints at a specific sonic atmosphere. Black Mountain's established musical style, often characterised by its psychedelic and hard rock influences, suggests that the score for Year Zero will likely be evocative and impactful. This collaboration promises to complement the film's unique visuals and narrative, potentially adding a layer of intensity or mood that enhances the overall viewing experience for audiences.

Year Zero is presented as a successor to Globe's highly regarded works, 'New Emissions of Light and Sound' and 'Secret Machine'. This lineage suggests a commitment to pushing creative boundaries within surf filmmaking. Audiences familiar with these earlier productions can anticipate a similar dedication to innovative storytelling and striking cinematography, indicating that Year Zero is likely to offer an equally compelling and artistically driven viewing experience that further solidifies Globe's reputation.

Year Zero distinguishes itself by being shot entirely on super 16mm film, a choice that imbues the visuals with a distinctive texture and aesthetic. This analogue approach, coupled with its novel setting for capturing the essence of surfing, offers a departure from typical digital productions. The film aims to present a fresh perspective on the sport, leveraging the inherent qualities of 16mm to create a visually arresting experience that stands apart in the contemporary cinematic landscape.