Very Happy Alexander

The dog in 'Very Happy Alexander' serves as a crucial, albeit unusual, link between Alexandre's secluded existence and the outside world. Tasked with delivering food and newspapers, the animal becomes Alexandre's sole operative, facilitating his passive engagement with life. This detail underscores Alexandre's complete withdrawal and the peculiar, almost symbolic, nature of his chosen inactivity.

'Very Happy Alexander' delves into these themes by contrasting Alexandre's initial existence as a downtrodden farmer, forced into relentless labour by his wife, with his subsequent state of complete idleness. His decision to remain in bed after her death represents an extreme, almost passive, rebellion against his former life. The film uses this stark shift to question what true freedom entails and whether it can be found in absolute inaction.

The film adopts a distinctive tone, shifting from the oppressive depiction of Alexandre's early life under his authoritarian wife to a profound and perhaps absurdist embrace of inactivity. This transition suggests a dark humour or a contemplative exploration of freedom found in extreme non-action. The narrative invites viewers to ponder the nature of liberation and personal choice.

Information regarding specific streaming availability in Australia for 'Very Happy Alexander' is not readily available within the provided context. As a film from 1968, its distribution rights and platform inclusion can vary significantly. Viewers interested in watching the film are advised to check with major Australian streaming services or digital rental platforms for current licensing information.

The cast features a notable ensemble. Philippe Noiret takes on the titular role of Alexandre. He is joined by Marlène Jobert, Françoise Brion, Paul Le Person, and Tsilla Chelton. Their performances contribute to the film's exploration of relationships and individual responses to life's circumstances.

The film centres on Alexandre, a hardworking farmer whose life is dominated by an overbearing wife. Following her untimely death in a car accident, Alexandre makes a radical decision: to remain in bed, embracing a state of profound idleness and freedom. His only companion in this self-imposed inertia is a dog, tasked with bringing him food and newspapers, highlighting his complete withdrawal from active life.