IMDb 7.9 1981 HD

Urgh! A Music War

Urgh! A Music War

1981
Documentary Music
121 min R USA
7.3 / 10
7.9 IMDB

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured…

Personnel // Cast & Crew

Director Derek Burbidge
Starring
Sting / Stewart Copeland / Andy Summers / Danny Elfman / Jello Biafra / Toyah Willcox / Stan Ridgway / John Cooper Clarke

How Viewers Describe This Film

Common themes and sentiments

energetic eclectic raw historical diverse underground vibrant influential powerful unpolished essential

Reviews

V
Victoria Chen
May 23, 2026
4.0 / 5
4.0

This is a vital piece of musical history, a chaotic yet brilliant snapshot of the punk and new wave explosion. Urgh! A Music War, filmed in 1980, is a treasure trove of live performances, showcasing everyone from the…

S
Sam Davies
May 23, 2026
3.0 / 5
3.0

Urgh! A Music War functions as a broad overview of the burgeoning punk and new wave scenes, featuring a who's who of influential bands from the period. The performances themselves are often electrifying, with standout moments from Oingo…

I
Isabelle Dubois
May 23, 2026
4.5 / 5
4.5

A glorious, unpretentious celebration of a musical epoch, Urgh! A Music War is a must-see for any devotee of the punk and new wave movements. Filmed at the cusp of the decade, it presents a dizzying array of…

M
Marcus Thorne
May 23, 2026
3.5 / 5
3.5

This sprawling documentary offers a fascinating, if somewhat uneven, glimpse into the diverse world of 1980s alternative music. Urgh! A Music War excels in its ambitious curation, bringing together a formidable lineup from Devo to Dead Kennedys, and…

E
Eleanor Vance
May 23, 2026
4.0 / 5
4.0

A potent blast of raw energy, Urgh! A Music War is less a narrative film and more a visceral time capsule. Captured in 1980, it throws the viewer headfirst into the pulsating heart of punk, new wave, and…

FAQs

Urgh! A Music War embodies the new wave spirit through its eclectic selection of artists, blending established popularity with genuine underground representation. The film prioritises raw performance and diverse sonic palettes, from the angularity of Magazine to the theatricality of Klaus Nomi. By including both widely recognised acts and more obscure gems, it mirrors the scene's embrace of individuality and its rejection of monolithic musical trends, creating a vibrant, albeit sometimes chaotic, tapestry of sound.