IMDb 0 2019 HD

The Starey Bampire

The Starey Bampire

2019
Family Horror
5 min
0 IMDB

Elvie Farmer makes her short film debut with The Starey Bampire. By the way, Elvie is 3-years-old… Elvie tells a spooky, ghost story while Mum and Dad are…

Personnel // Cast & Crew

Director Dan Farmer / Adam Bigum
Starring
Elvie Farmer / Amelia Farmer / Adam Bigum

How Viewers Describe This Film

Common themes and sentiments

charming unusual funny peculiar imaginative amateurish endearing curious unpredictable wholesome quirky

Reviews

G
Genevieve Moreau
Apr 8, 2026
3.0 / 5
3.0

'The Starey Bampire' is a testament to the power of a child's imagination, even if that imagination is only three years old. Elvie Farmer, the film's director, crafts a vampire tale that is as unpredictable as it is…

O
Oliver Shaw
Apr 8, 2026
2.5 / 5
2.5

One approaches 'The Starey Bampire' with a certain degree of intrigue, knowing its director, Elvie Farmer, is a mere three years old. The film itself is an attempt at a ghost story, with the young Elvie directing her…

I
Isabelle Dubois
Apr 8, 2026
4.0 / 5
4.0

There's a whimsical, almost magical quality to 'The Starey Bampire', a short film that bravely places a three-year-old, Elvie Farmer, at its creative helm. What unfolds is a wonderfully peculiar vampire yarn, where parental guidance takes a backseat…

M
Marcus Bellweather
Apr 8, 2026
2.0 / 5
2.0

'The Starey Bampire' presents a premise that is, admittedly, rather novel: a film directed by a three-year-old. Elvie Farmer’s vision, as filtered through her parents' cameras, is certainly… something. The narrative, a supposed vampire story, meanders with the…

E
Eleanor Vance
Apr 8, 2026
3.5 / 5
3.5

Elvie Farmer's directorial debut, 'The Starey Bampire', is less a polished cinematic endeavour and more a delightful, unvarnished glimpse into a child's mind. At three years old, Elvie dictates a vampire tale, with her parents Amelia Farmer and…

FAQs

The cultural impact of 'The Starey Bampire' lies in its subversion of traditional filmmaking norms and its celebration of childhood creativity. By highlighting a three-year-old director, it sparks conversations about authorship, artistic intent, and the uninhibited nature of imagination. It challenges our preconceptions of what constitutes a 'film' and who can be a 'filmmaker'. This unusual approach invites audiences to reconsider the boundaries of storytelling and the potential for unexpected artistic voices.