‘The Kiss’ presents a rather direct, if somewhat understated, look at marital dissatisfaction and the unexpected paths to connection. Zoe Carides shines as Sue, a wife whose unmet needs become the driving force of the narrative, often contrasted…
The Kiss
Bob is a car nut who's oblivious to his wife Sue's need for some amorous action and Barry's (his gay neighbor) unrequited affections. When Sue mistakes the legs…
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A curious cinematic curio, ‘The Kiss’ from 1998 orbits around a husband’s automotive fixation and his wife’s subsequent yearning. Peter Brown’s Bob is the epitome of the oblivious spouse, while Zoe Carides imbues Sue with a relatable frustration.…
‘The Kiss’ is a surprisingly sharp observation of domestic discontent, cleverly disguised as a lighthearted romp. Zoe Carides delivers a compelling performance as Sue, a woman whose unspoken desires are palpable, a stark contrast to Peter Brown’s endearingly…
This 1998 offering, ‘The Kiss’, attempts a domestic farce centred on sexual frustration and misunderstanding. Zoe Carides’ Sue is the focal point of unacknowledged need, her husband Bob, played by Peter Brown, lost in his vehicular obsessions. The…
‘The Kiss’ offers a peculiar, albeit somewhat dated, exploration of marital ennui and the unexpected turns desire can take. Peter Brown as Bob embodies a certain oblivious charm, a man more devoted to his motor than his marriage,…
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The central conflict in 'The Kiss' is driven by a potent combination of miscommunication and unfulfilled desires. Bob's absorption in his automotive pursuits creates a void in his marriage, leaving Sue feeling neglected and seeking affection. This domestic tension is then ingeniously complicated by the mistaken identity under the car, a scenario that promises both comedic absurdity and potentially significant emotional fallout. The film seems poised to explore how a simple misunderstanding can unravel or redefine relationships.