Stop the Horror

The film's release in September 2017 was strategically timed to coincide with broader discussions and legislative efforts in Australia concerning voluntary assisted dying. Produced as part of a campaign by Go Gentle Australia, its purpose was to amplify the call for right-to-die legislation. The film's existence and its public airing were directly tied to influencing policy debates and public opinion at a critical juncture in the conversation around end-of-life choices.

Viewers can anticipate an intensely emotional and confronting experience. 'Stop the Horror' is designed to elicit a strong empathetic response by re-enacting the agonising final moments of Greg Sims' life. The film aims to be a visceral depiction of suffering, intended to move audiences deeply and spur them to consider the complexities of end-of-life care and the arguments for assisted dying legislation. It is not a film for the faint-hearted.

'Stop the Horror' functions as a dramatic re-enactment rather than a documentary. It reconstructs the final, agonising moments of Greg Sims' life, drawing on the experiences of his family and doctors. The intention is to powerfully convey the emotional and physical toll of terminal illness and to advocate for legislative change, using a re-enactment format to heighten the dramatic impact and underscore the campaign's message.

The film presents a dramatic re-enactment of Greg Sims' final moments, focusing on the agonising experience as witnessed by his family and medical professionals. It aims to offer a visceral and emotionally charged portrayal of his suffering, serving as a stark illustration of the need for legislative reform concerning end-of-life choices. The re-enactment intends to evoke empathy and underscore the film's central message about the horror of prolonged suffering.

'Stop the Horror' was produced as a powerful advocacy tool for Go Gentle Australia, aiming to galvanise public support for the passage of right-to-die legislation. It's not a conventional narrative film but a deeply personal and affecting re-enactment designed to confront viewers with the realities of end-of-life suffering, thereby prompting a societal conversation and encouraging legislative change. The film's genesis lies in a specific campaign with a clear, urgent objective.