Person Being/in the Nature of a Human

The incredibly swift development from initial concept to completed film is a testament to a singular, urgent creative vision. This rapid production, coupled with a 'barest of budgets,' suggests a raw, unvarnished artistic impulse at play. It signifies an undertaking driven by necessity and artistic imperative rather than extensive planning, potentially resulting in a more immediate and potent cinematic expression.

The tone of 'Person Being/in the Nature of a Human' is a complex tapestry, weaving together elements of romance, tragedy, comedy, and the absurd. The viewing experience is likely to be disorienting yet thought-provoking, as it challenges conventional narrative structures and expectations. It aims to immerse the audience in a dreamlike state, where profound existential queries are presented with a unique, unconventional sensibility.

This is a film for viewers who appreciate challenging, unconventional storytelling that prioritises thematic depth over conventional plot mechanics. Those drawn to philosophical explorations of existence, identity, and the nature of reality, particularly through a surreal or allegorical lens, will likely find it compelling. Its rapid conception and low budget also suggest an appeal to those interested in experimental filmmaking and artistic ambition.

The film explicitly states it brings a dream from beyond the grave to life, suggesting that the narrative operates on a plane where conventional logic and reality do not strictly apply. This dreamlike atmosphere is crucial to its thematic exploration, allowing for the absurd, the tragic, and the comic to coexist and to represent a state of being where the boundaries between consciousness and unconsciousness are dissolved.

The narrative hinges on a profound desire for metamorphosis. The characters, seemingly disparate and born of unusual circumstances, find themselves compelled towards each other, not out of conventional attraction, but a deep-seated wish to become the other. This yearning suggests an exploration of identity as fluid, and the possibility that true understanding or peace might lie in embodying a different perspective or existence.

The film centres on Ema Nudar Umanu, a woman who has passed away, sharing her dream with a man born from a duck's egg in a remote jungle. It explores a relationship where both individuals yearn to inhabit the other's existence, blurring the lines between life and death, love and loneliness, and the very essence of gender and reality. It's a narrative that delves into profound existential questions through a unique, almost allegorical lens.