One Big Home

Given Australia's own experiences with coastal development and the impact of wealth on desirable locations, 'One Big Home' offers a relatable narrative. The themes of preserving local character against external pressures and the environmental consequences of unchecked building are globally relevant, making it a film that should resonate with Australian viewers concerned with similar issues.

The documentary was a significant undertaking, with the production spanning twelve years. This extensive timeframe allowed the filmmakers to observe and document the evolution of the 'trophy home' trend on Martha's Vineyard over an extended period, providing a comprehensive perspective on its development and impact.

The film adopts a critical stance towards the trend of ever-larger houses, suggesting they threaten the unique character of places like Martha's Vineyard. It explores the motivations behind building these homes and the consequences for the communities and environments they inhabit. The narrative is framed through the lens of a local craftsman grappling with this architectural escalation.

Martha's Vineyard is presented as a microcosm of a wider issue. It's a place known for its natural beauty and celebrity appeal, making it a prime location for the 'trophy home' trend. The film uses the island's specific context to examine how development can impact both the physical environment and the cultural identity of a beloved locale, a theme with resonance beyond its shores.

The carpenter, Thomas Bena, felt increasingly complicit in the transformation of Martha's Vineyard. Witnessing the proliferation of giant houses, he experienced a crisis of conscience about his contribution to altering the island's character. This discomfort led him to put down his tools and pick up a camera, seeking to explore and understand the forces behind this architectural shift.

Thomas Bena, a carpenter who has spent years working on Martha's Vineyard, serves as the film's central figure. His intimate connection to the island and his growing unease with the scale of new construction drive the documentary. His transition from builder to filmmaker highlights a deep personal reckoning with his complicity in the island's changing landscape.

The film grapples with the tension between preserving the unique character of Martha's Vineyard and the burgeoning trend of constructing enormous, ostentatious homes. It explores how these 'trophy houses' can erode the island's charm, a place cherished by residents and visitors alike. The narrative pivots on a carpenter's personal journey to understand this phenomenon and his own role within it.