Mansfield 66/67

Anton LaVey, as the head of the Church of Satan, is a pivotal figure in the speculative narrative of Mansfield 66/67. The film explores the rumoured romantic relationship between LaVey and Jayne Mansfield, and how this alleged dalliance became intertwined with theories surrounding her death. LaVey's presence in the film adds a layer of the occult and counterculture, amplifying the mystique and the darker interpretations of Mansfield's final years.

For Australian viewers with an interest in film history and the cult of celebrity, Mansfield 66/67 offers a compelling, albeit macabre, look at a significant Hollywood figure. The enduring appeal of Jayne Mansfield's story, coupled with the sensational elements of alleged curses and occult connections, transcends geographical boundaries. It provides a fascinating glimpse into a period of Hollywood where myth and reality often blurred, resonating with anyone intrigued by enduring cultural narratives.

Viewers can anticipate a journey into the darker, more speculative corners of Hollywood history. The film promises a blend of biographical exploration and a deep dive into the rumours surrounding Jayne Mansfield's demise. It's likely to be a visually intriguing, perhaps even stylised, examination of a bygone era, appealing to those interested in the mystique of classic cinema, the occult, and the enduring power of celebrity.

The documentary focuses on the last chapter of movie goddess Jayne Mansfield's life. Central to the narrative is Anton LaVey, the founder and high priest of the Church of Satan, with whom Mansfield is rumoured to have had a romantic dalliance. The film also incorporates insights from notable figures such as filmmaker John Waters, actress Mary Woronov, and avant-garde director Kenneth Anger, adding layers of cultural and artistic commentary to the story.

Indeed, the film centres on the persistent whispers and theories about a curse befalling Jayne Mansfield. It investigates the widely discussed, albeit unproven, connection between her and Anton LaVey, the founder of the Church of Satan. The narrative weaves together the circumstances of her final years and the sensationalised accounts that have fuelled decades of morbid curiosity, questioning whether supernatural forces played a role in her untimely end.

This documentary delves into the final two years of Jayne Mansfield's life, a period marked by intense speculation surrounding her tragic death. The film explores the rumour that her demise was linked to a curse, allegedly stemming from her rumoured romantic involvement with Anton LaVey, the enigmatic head of the Church of Satan. It examines the intersection of Hollywood glamour, occult lore, and the enduring fascination with a star whose life ended far too soon.