Killing Faith is a triumph of mood and metaphor. It wisely anchors its supernatural horror in tangible human drama and historical specificity. The journey of a freed slave and a white doctor is laden with unspoken tensions that…
Killing Faith
In the summer of 1859, a widowed physician reluctantly agrees to take a recently freed slave and her mysterious Caucasian daughter on a five-day journey through the bloody…
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A strong premise and stellar cast grapple with a film that can’t quite decide on its tone. The early scenes establish a gripping, sombre mystery, and the performances from Pearce and Wise are worth the price of admission.…
A profound and unsettling gem. Killing Faith transcends its Western horror label to become a moving study of grief, belief, and impossible love. The genius lies in its balancing act: the ever-present danger of the girl’s touch is…
This is a handsomely mounted, performance-driven piece that occasionally lets its ambitious premise outpace its execution. Pearce and Wise are exceptional, mining deep pathos from a script that cleverly uses its 1859 setting to explore clashing worldviews. The…
Killing Faith is a masterfully tense genre hybrid that succeeds on the strength of its central trio. Guy Pearce brings a wonderfully weary gravitas to the sceptical doctor, while DeWanda Wise is fiercely compelling as a mother operating…
FAQs
The title operates on multiple levels. Literally, it points to the quest to find a 'Faith Healer', suggesting a confrontation with or negation of religious belief. Metaphorically, it speaks to the erosion of hope and trust experienced by the characters. The physician's scientific faith, the mother's faith in a cure, and perhaps even the audience's faith in a neat resolution are all under threat in this perilous narrative where touch itself is fatal.