A starkly realised portrait of modern alienation, 'I put COVID-19 on the map' is a triumph of minimalist filmmaking. Rhys Bellamy’s performance is a masterclass in conveying internal turmoil through subtle physicality and expression. The director’s vision is…
I put COVID-19 on the map
The endless cycle of getting up, working, running, and then repeating the process until you're overcome by mundanity and insanity.
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The titular 'COVID-19' serves as a provocative, perhaps misleading, marker for a film deeply entrenched in the existential plight of its sole character, Rhys Bellamy. His portrayal of a man caught in the gears of relentless routine is…
'I put COVID-19 on the map' is a bold, almost ascetic, dive into the abyss of the everyday. Rhys Bellamy delivers a performance of quiet desperation that is utterly compelling. The film’s strength lies in its uncompromising dedication…
One struggles to find purchase in the monotonous landscape of 'I put COVID-19 on the map'. Rhys Bellamy is tasked with carrying the entire emotional burden, a feat he attempts with a commendable, albeit weary, resilience. The director’s…
Rhys Bellamy anchors 'I put COVID-19 on the map' with a performance that is both stoic and subtly unraveling. The film’s premise—a relentless cycle of waking, working, and running—is starkly realised, creating an atmosphere thick with existential dread.…
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The film's exploration of mundanity and psychological strain may resonate with a broad audience grappling with the pressures of modern life, including those in Australia. Its unconventional approach, however, might appeal more to viewers seeking art-house or character-driven cinema rather than mainstream entertainment. Those looking for a reflective, perhaps challenging, cinematic journey might find it particularly engaging.