The premise of Daylight Savings is its strongest asset: Death arriving prematurely for a young girl due to daylight saving. Ella Jones as Megan and Alex Arco as Death are tasked with carrying this unusual narrative. Jones offers…
Daylight Savings
Megan, a young girl on her way home from school, waits for the bus before she encounters Death, who has come to take her into the afterlife. As…
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This is a film that dares to be different. Daylight Savings capitalises on a simple yet profound temporal anomaly – Death arriving an hour early due to daylight saving – to explore the space between life and what…
Daylight Savings offers a thought-provoking, albeit somewhat niche, cinematic experience. The central conceit, a temporal hiccup involving Death’s arrival, is undeniably intriguing. Ella Jones navigates the role of Megan with a quiet sensitivity, portraying a young girl grappling…
In a cinematic landscape often saturated with the predictable, Daylight Savings emerges as a refreshingly original concept. The narrative hinges on a brilliant 'what if' scenario: Death’s temporal miscalculation due to daylight saving. Ella Jones, as the young…
Daylight Savings presents a curious premise: Death arrives an hour early for a young girl named Megan, thanks to a daylight saving oversight. This leaves Ella Jones's Megan and Alex Arco's Death in an extended, awkward waiting period.…
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The film portrays Death not as a terrifying specter, but as a figure who, in this particular instance, has made a scheduling error. This comedic misunderstanding of daylight saving time leads to an awkward encounter. The portrayal suggests Death might be more of a bureaucratic entity, or at least susceptible to the same temporal confusions as mortals, creating a unique dynamic with the young girl Megan.