This short film, part of a larger Mozart-themed project, offers a deliberately discordant experience. The use of the slaves' chorus from 'Zaide' is a clever, if grim, choice, its hopeful lyrics starkly contrasting with the visual of two…
Brothers, Let Us Be Merry
As part of the 2006 Mozart Year, 28 Austrian filmmakers, including Ulrich Seidl, were commissioned to create a minute-long film featuring Mozart's music. Seidl decided on the slaves'…
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The film presents a cynical view of pleasure, suggesting that its pursuit can lead to a state of profound emptiness and monotony. By depicting mechanical masturbation set against the backdrop of an anthem of defiance and merriment, it critiques the idea of eternal, purposeless pleasure. The presence of paper towels, awaiting a climax that seems to offer no true release, reinforces the notion that such an unfulfilled utopia leaves one with a 'hangover' – a feeling of desolation rather than satisfaction.