IMDb 6.2 2006 HD

Brothers, Let Us Be Merry

Brothers, Let Us Be Merry

2006
Documentary
1 min NR Austria
6.2 IMDB

As part of the 2006 Mozart Year, 28 Austrian filmmakers, including Ulrich Seidl, were commissioned to create a minute-long film featuring Mozart's music. Seidl decided on the slaves'…

Personnel // Cast & Crew

Director Ulrich Seidl

How Viewers Describe This Film

Common themes and sentiments

unsettling thought-provoking bleak provocative stark ironic disorienting intense conceptual challenging hollow melancholic

Reviews

C
Clara Hayes
May 5, 2026
3.5 / 5
3.5

This short film, part of a larger Mozart-themed project, offers a deliberately discordant experience. The use of the slaves' chorus from 'Zaide' is a clever, if grim, choice, its hopeful lyrics starkly contrasting with the visual of two…

A
Arthur Pendelton
May 5, 2026
4.0 / 5
4.0

A masterclass in brevity and impact, 'Brothers, Let Us Be Merry' uses its single minute to devastating effect. The film, associated with Ulrich Seidl and the 2006 Mozart Year, takes a fragment of Mozart's 'Zaide' – 'Brothers, let…

G
Genevieve Dubois
May 5, 2026
2.5 / 5
2.5

'Brothers, Let Us Be Merry' is a challenging, albeit fleeting, piece. As part of the 2006 Mozart Year, it uses the composer's music in a highly unconventional manner. The slaves' chorus from 'Zaide' provides a jarring sonic landscape…

M
Marcus Bellweather
May 5, 2026
3.5 / 5
3.5

This micro film, 'Brothers, Let Us Be Merry,' is less a celebration of Mozart and more an interrogation of human impulse. The selection of the 'Zaide' chorus, 'Brothers, let us be merry and bravely defy adversity,' is a…

E
Eleanor Vance
May 5, 2026
3.0 / 5
3.0

Ulrich Seidl's 'Brothers, Let Us Be Merry' is a stark, one minute provocation. Commissioned for the 2006 Mozart Year, it repurposes the slaves' chorus from 'Zaide' into a chilling counterpoint to its visual narrative. Two men, bathed in…

FAQs

The film presents a cynical view of pleasure, suggesting that its pursuit can lead to a state of profound emptiness and monotony. By depicting mechanical masturbation set against the backdrop of an anthem of defiance and merriment, it critiques the idea of eternal, purposeless pleasure. The presence of paper towels, awaiting a climax that seems to offer no true release, reinforces the notion that such an unfulfilled utopia leaves one with a 'hangover' – a feeling of desolation rather than satisfaction.