Breath

'Breath' appears to lean towards a more experimental or conceptually driven approach, rather than a traditional narrative structure. Its genesis as visual accompaniment for a live performance, followed by a multi-year development by Grace Ferguson and Rudi Williams, suggests a focus on imagery, atmosphere, and perhaps thematic resonance. This artistic evolution points to a work that prioritizes aesthetic experience and artistic dialogue.

Audiences can anticipate a film deeply rooted in artistic collaboration and visual exploration. Given its origins as accompaniment to a live performance, 'Breath' likely offers a rich, perhaps abstract, visual language. The extended development period suggests a thoughtful construction, hinting at a contemplative or immersive experience rather than a conventional narrative. It invites viewers to engage with its aesthetic and conceptual underpinnings.

The journey of 'Breath' from a live performance accompaniment to a standalone film involved a dedicated development period. Initially created as visuals for Grace Ferguson’s 2019 Melbourne Recital Centre performance, the project was then further developed by Ferguson and Rudi Williams between 2019 and 2022. This extended timeframe allowed for refinement and expansion, transforming the original concept into a more complete cinematic entity.

The film features the performances of Madeleine Mills and Lilian Steiner. Their involvement is central to the development of 'Breath,' suggesting a dynamic interplay between their artistic contributions and the evolving nature of the work. While specific roles are not detailed, their presence indicates a focus on embodied expression and collaborative artistry within the film's narrative or conceptual framework.

'Breath' emerged from a significant artistic collaboration between Grace Ferguson and Rudi Williams. The film's foundations lie in visuals originally conceived to complement Ferguson’s live performance at The Melbourne Recital Centre in 2019. This iterative process, spanning from 2019 to 2022, allowed for a deep exploration and development of the work, suggesting a layered approach to its visual and conceptual construction. It’s a testament to how performance art can evolve into distinct cinematic experiences.