Aim High In Creation!

Kim Jung-IL's 1987 manifesto is the foundational text for the experimental filmmaking project within 'Aim High In Creation!'. The film's central conceit is to create a propaganda piece strictly following the rules outlined in this document. It serves as a fascinating case study, allowing the filmmakers, both North Korean and international, to explore cinematic theory and practice through a specific, historically significant ideological framework.

The film features a cast including Kathryn Beck, Peter O'Brien, Susan Prior, Matt Zeremes, and Elliott Weston. Their involvement suggests a collaborative effort, bridging the gap between the North Korean filmmaking world and international talent. Their performances are integral to conveying the film's central themes of connection and shared cinematic purpose.

Australian viewers can anticipate a thought-provoking and unconventional look at filmmaking from one of the world's most isolated nations. The film offers a rare glimpse into the creative processes and theoretical frameworks that guide North Korean cinema, all within the context of an experimental filmmaking project. It's a chance to consider the universal aspects of storytelling and the unexpected connections that can arise from a shared love of movies.

Far from it. Instead of a conventional exposé, 'Aim High In Creation!' delves into the cinematic world of North Korea through a unique lens. It focuses on the artistic output and theoretical underpinnings of filmmaking as dictated by Kim Jung-IL, using this as a bridge to connect with international filmmakers. The film offers a perspective that is both analytical and surprisingly human, exploring the shared passion for cinema.

The documentary posits that a shared passion for cinema transcends political divides and national borders. By bringing together hidden filmmakers from North Korea with collaborators from the Free World, the film demonstrates how the universal language of filmmaking can foster unexpected connections and understanding. It suggests that the creative drive and dedication to the craft create a common ground, akin to familial bonds.

The film's core lies in a fascinating experiment: attempting to create a propaganda film strictly adhering to the guidelines laid out in Kim Jung-IL's 1987 manifesto. This ambitious project serves as the narrative engine, driving the interactions and collaborations between filmmakers from North Korea and those in the Free World. It's a unique approach to exploring cinematic principles and the very nature of filmmaking under different systems.