The Foundation

The musical compositions for both the main theme song, 'In Dream Several Sorrow', and the sub-theme song, 'I Cannot See My Tears Flow', were handled by the celebrated Joseph Koo. Koo is a highly influential figure in Hong Kong film and television music. His arrangements and compositions for 'The Foundation' contribute significantly to its sonic identity and emotional landscape.

While specific genre classifications are not detailed, the context of a 1984 TVB television series suggests 'The Foundation' likely falls within the realm of dramatic storytelling, potentially encompassing elements of action, romance, or historical themes common to Hong Kong television of that era. The involvement of established actors and the presence of distinct theme songs hint at a production aiming for engaging narrative and emotional resonance.

Information regarding the specific streaming availability of 'The Foundation' in Australia is not readily available in the provided context. As a 1984 TVB production, its distribution across international streaming platforms can vary. Viewers interested in watching the series may need to explore specialised Asian drama streaming services or regional broadcast archives.

The television series 'The Foundation' is accompanied by two memorable theme songs. The main theme, 'In Dream Several Sorrow', and the sub-theme, 'I Cannot See My Tears Flow', were both composed and arranged by the renowned Joseph Koo. The lyrics for both tracks were penned by Wong Jim, and the songs were performed by Michelle Pau, adding a distinct musical layer to the drama.

The cast of 'The Foundation' features a notable ensemble of actors. Prominent among them are Felix Wong Yat-Wah, Barbara Yung, and Michael Miu Kiu-Wai, who are widely recognised for their contributions to Hong Kong television dramas. The series also includes performances from Mitra King Toi-Yam and Lau Kong, rounding out a strong line-up.

'The Foundation', a television series produced by TVB, first premiered in 1984. This marked its initial release to audiences, establishing its place within Hong Kong television history. Its original broadcast date provides a key point of reference for understanding its production era and the television landscape of the mid-1980s.