IMDb 0 2025 HD

The World’s Worst Hitman

The World’s Worst Hitman

2025
Action Comedy
3 min
10 / 10
0 IMDB

A hopelessly unlcucky hitman is interrogated by 2 detectives, but there's a problem. He hasn't actually killed anyone.

Personnel // Cast & Crew

Director Toby Adeney / Charlotte Grace
Starring
Chris Wilson / Brook Pritchard / John Spindler / William Douglas

How Viewers Describe This Film

Common themes and sentiments

darkly funny clever premise well performed repetitive concept surprisingly poignant slow pacing great cast lacks direction witty dialogue character driven absurd humour mildly amusing

Reviews

C
Claire Fitzgerald
Feb 28, 2026
4.5 / 5
4.5

An absolute gem of Australian comedy. This film is a testament to the power of a brilliant premise executed with wit and heart. Chris Wilson delivers a career-best performance, transforming a potentially one-note joke into a deeply human…

B
Ben Carter
Feb 28, 2026
3.0 / 5
3.0

As a genre exercise, 'The World's Worst Hitman' is a solid B-grade effort. It understands the assignment: take a simple, funny idea and mine it for consistent laughs. The dynamic between the incompetent hitman and his increasingly frustrated…

P
Priya Sharma
Feb 28, 2026
4.0 / 5
4.0

This is a wonderfully subversive and surprisingly thoughtful comedy. By inverting the hitman trope, the film asks witty questions about identity, expectation, and the stories we cling to. The interrogation is less a legal process and more a…

M
Marcus Thorne
Feb 28, 2026
2.5 / 5
2.5

A promising high concept is let down by a lack of directorial flair. The idea of a hitman who hasn't killed anyone is ripe for sharp satire or dark comedy, but the film feels content to merely state…

E
Eleanor Vance
Feb 28, 2026
3.5 / 5
3.5

Chris Wilson carries 'The World's Worst Hitman' with a performance of sublime, bewildered failure. The film's single-location premise is a tightrope walk between claustrophobia and comic revelation, and it largely succeeds. Wilson's hitman is a figure of profound…

FAQs

It certainly fits a promising trend of Australian films taking a well-worn international genre and injecting it with a distinctively local sense of humour and character. By focusing on a failure within a typically hyper-competent profession, it subverts expectations in a way that resonates with audiences tired of formulaic hits. If executed well, it could join other successful local genre-benders, using its high-concept premise to explore universally relatable themes of inadequacy with a uniquely Aussie inflection.