The unsettling premise of 'Come Play' is its greatest asset, offering a modern monster born from the very screens that occupy so much of our lives. Azhy Robertson is commendable as the isolated Oliver, and his parents, played…
Come Play
Oliver, a lonely autistic boy, seeks solace and refuge in his ever-present cell phone and tablet. When a mysterious creature uses the boy's devices against him, his parents…
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'Come Play' distinguishes itself with a potent, relatable premise: the insidious way technology can both connect and isolate us, particularly our children. The film's strength lies in its exploration of Oliver's world, brought to life by a compelling…
While 'Come Play' boasts a strong concept – a monster born from and manipulating digital devices – its execution struggles to maintain consistent impact. The performances are serviceable, with the parents, played by Jacobs and Gallagher Jr., lending…
There's a commendable effort in 'Come Play' to blend classic haunted object horror with modern technological fears. Azhy Robertson delivers a sensitive portrayal of Oliver, a child whose isolation is amplified by his autism and his digital escapes.…
Gillian Jacobs and John Gallagher Jr. anchor 'Come Play' with genuine parental concern, their performances a steadying force against the rising tide of digital dread. The film's premise, a monster that exploits a lonely autistic boy's reliance on…
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The film attempts a fresh perspective by centering its monster on the pervasive influence of digital devices in a child's life. Instead of a traditional ghost or creature lurking in the shadows, 'Come Play' introduces a being that operates through screens, a concept that feels particularly relevant in today's hyperconnected world. This allows for a blend of familiar horror elements with a distinctly modern, technological fear, exploring how our virtual lives can become a battleground for supernatural forces.