When Pomegranates Howl

Given its dedication to pioneering Iranian filmmakers and its focus on a child's journey, 'When Pomegranates Howl' offers a window into a different world with universal themes of aspiration and resilience. The presence of an Australian photographer in the narrative provides a subtle point of connection for local audiences. The film's empathetic portrayal of a young protagonist striving for a better future is likely to resonate broadly, transcending cultural specificities.

Hewad is the irrepressible, street-smart nine-year-old protagonist of the film. He's a hustler, energetically working various angles to survive on the streets of Kabul, selling everything from pomegranate juice to amulets for protection against the evil eye. Despite his practical resourcefulness, Hewad's true ambition burns brightly: he longs to be a movie star. This aspiration fuels his actions and provides a powerful counterpoint to the harsh realities of his environment.

The introduction of an Australian photographer marks a pivotal moment for Hewad, bringing him a step closer to his ambition of becoming a movie star. This encounter offers a potential avenue for his dreams to materialise, contrasting with the daily struggles he faces. The photographer's presence also introduces an external perspective, potentially highlighting the cultural exchanges and unexpected connections that can occur even in a city marked by hardship.

The film unflinchingly depicts the precariousness of life in Kabul, where every family has experienced loss, evidenced by the phrase 'martyred.' The streets, while offering opportunities for a child like Hewad to hustle, are also portrayed as inherently perilous. This constant tension between youthful ambition and the underlying dangers of the city forms a significant part of the narrative's dramatic force. It’s a stark reminder of the realities faced by many in the region.

Granaz Moussavi's film draws inspiration from the acclaimed child-focused works of 1980s Iranian cinema, notably filmmakers like Kiarostami and Panahi. It places a vibrant, irrepressible nine-year-old, Hewad, at its heart. Hewad's resourcefulness in navigating the streets of Kabul, hustling for a living while harbouring dreams of stardom, echoes the authentic portrayals seen in those earlier masterpieces. The film captures a raw, unvarnished look at childhood resilience amidst a challenging urban landscape, a hallmark of that influential cinematic era.