Occupation: Native

Absolutely. The core of 'Occupation: Native' is its explicit aim to counter the 247-year-old accepted Australian narrative by foregrounding the Aboriginal story. Filmmaker Trisha Morton-Thomas challenges the dominant historical account, suggesting it has actively buried Indigenous experiences. The film is an effort to unearth and present a perspective that has been systematically excluded, offering a crucial, often unheard, counterpoint to mainstream historical interpretations.

For Australian audiences, 'Occupation: Native' holds significant cultural weight by directly addressing the historical omissions and biases within the national narrative. It offers a vital opportunity to engage with an Aboriginal perspective that has been historically marginalised. The film encourages a critical examination of how Australian history is taught and understood, fostering a potentially more inclusive and truthful dialogue about the nation's past and present.

Viewers should anticipate a film that is both intellectually stimulating and emotionally resonant. 'Occupation: Native' is not a passive viewing experience; it demands engagement and reflection. Trisha Morton-Thomas's approach is confrontational, aiming to provoke thought about historical narratives and Indigenous representation. The tone is likely to be challenging, encouraging audiences to question their understanding of Australian history and the stories that have been prioritised.

The film directly confronts the accepted, 247-year-old narrative of Australian history, framing it as a story that has actively suppressed Indigenous perspectives. 'Occupation: Native' argues that this dominant historical account is incomplete and has served to bury the Aboriginal story. Trisha Morton-Thomas's work is an act of reclamation, seeking to unearth and highlight the experiences and truths that have been overlooked or intentionally excluded from mainstream historical discourse.

Trisha Morton-Thomas is an Aboriginal filmmaker and the driving force behind 'Occupation: Native'. Her personal connection to the subject matter is evident as she actively confronts and critiques the dominant Australian historical account. The film functions as her platform to 'bite back' at a history she believes has deliberately marginalised Indigenous Australian stories. Her directorial vision is central to the film's provocative and challenging tone.

'Occupation: Native' fundamentally challenges the established, 247-year-old historical narrative of Australia. The film posits that this accepted story has systematically buried the true Aboriginal perspective. Trisha Morton-Thomas, the filmmaker, uses her work to confront and re-examine this historical silencing, aiming to give voice to a narrative that has been long suppressed. It's a direct engagement with how history is told and who gets to tell it.