The eerie concept of 'Planes' is its strongest asset, a young man waking in purgatory with no memory of his life. Eliza Taylor carries the weight of this narrative with a performance that is sensitive to the character's…
Planes
Planes explores the eerie tale of a young man, Samuel, who finds himself half-way through a conversation in purgatory with no recollection of either himself or his life.
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With 'Planes', the director attempts a cerebral dive into the unknown, centring on Samuel's amnesiac plight in purgatory. Eliza Taylor delivers a commendably restrained performance, conveying a profound sense of bewilderment. The film’s tone is consistently eerie, leaning…
'Planes' is a remarkably brave foray into existential territory, bolstered by Eliza Taylor's compelling central performance. The film’s director crafts a palpable sense of unease, immersing the audience in Samuel's disorienting purgatorial state. Taylor’s portrayal of a man…
The premise of 'Planes' – a man adrift in purgatory with no memory – holds a certain morbid fascination. However, the execution feels frustratingly underdeveloped. The direction opts for a pervasive eeriness, but this often translates to a…
Eliza Taylor anchors 'Planes' with a performance that bravely navigates the void of amnesia. The film's strength lies in its unsettling atmosphere, a testament to a direction that prioritises mood over exposition. While the narrative's deliberate ambiguity might…
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'Planes' presents purgatory not as a definitive afterlife, but as an ambiguous transitional space. It's depicted as a place where Samuel finds himself mid conversation, stripped of his personal history. This approach eschews traditional religious interpretations, favouring a more psychological and existential portrayal. The focus is less on divine judgment and more on the character's internal state and the mystery of his situation, creating a uniquely disorienting environment.