IMDb 0 1970 HD

Neurosis

Neurosis

1970
9 min
0 IMDB

“I now knew that I'd found a style to interpret an emotional event filmicly. The unabating atrocities of the Vietnam War, the growing protest movement in Australia, and…

Personnel // Cast & Crew

Director Paul Winkler

How Viewers Describe This Film

Common themes and sentiments

intense raw angry urgent challenging historical visceral experimental confronting disorienting potent emotional

Reviews

I
Isabelle Moreau
May 25, 2026
3.5 / 5
3.5

Paul Winkler's "Neurosis" is a visceral, almost overwhelming, cinematic experience. It’s a film born directly from the turmoil of its time, drawing inspiration from the Vietnam War's atrocities and the fervent protest movements in Australia. Winkler aimed to…

A
Arthur Pendelton
May 25, 2026
3.0 / 5
3.0

"Neurosis" offers a fascinating, albeit sometimes exhausting, glimpse into the emotional landscape of the late 1960s and early 1970s. Paul Winkler's intention was to interpret emotional events cinematically, using the Vietnam War and Australian protests as his raw…

G
Genevieve Dubois
May 25, 2026
4.5 / 5
4.5

A truly electrifying piece of cinema, "Neurosis" is a testament to the power of filmmaking as a direct response to societal upheaval. Paul Winkler sought to interpret emotional events filmically, and he succeeded with startling clarity. The backdrop…

M
Marcus Thorne
May 25, 2026
3.5 / 5
3.5

"Neurosis" is less a narrative film and more an emotional detonation. Director Paul Winkler eschews conventional storytelling to create a direct conduit to the anger and frustration of the Vietnam War era. Drawing from newspaper and television imagery,…

E
Eleanor Vance
May 25, 2026
4.0 / 5
4.0

Paul Winkler's "Neurosis" is a time capsule, a raw nerve exposed. Filmed in a style that feels both urgent and deeply personal, it channels the palpable anger of the late 60s and early 70s. The unabating news of…

FAQs

Absolutely. The film's title, "Neurosis," itself suggests a deep dive into the psychological impact of the era's events. Paul Winkler explicitly aimed to get "into the minds of the protesters, into their (my) anger." The unabating atrocities of the Vietnam War and the constant barrage of disturbing images from newspapers and television were the core material. The frantic camera, rapid zooming, and heightened use of sound and image, including single-frame montage, are all deliberate choices to convey a sense of psychological turmoil and the emotional weight carried by those actively protesting or deeply affected by the conflict.