The Set

Beyond Paul's central arc, 'The Set' features a tapestry of personal entanglements. Paul's initial relationship with Cara is disrupted by her move to London. He develops a significant homosexual affair with fellow art student Tony Brown. Meanwhile, Tony is dating Paul's cousin, Kim Sylvester, adding a familial dimension to the romantic complexities. Furthermore, Kim's mother, Peggy, becomes involved with artist Mark Broniski, illustrating how intertwined these lives become within the film's narrative.

The term 'the set' in the film refers to the exclusive world of Sydney's art society that Paul Lawrence enters. It signifies a realm of creative professionals, social climbers, and established figures. Paul's aspiration to join this milieu, and his eventual commission to design a stage set, highlights his desire for recognition and acceptance within this influential group. The film uses this environment to explore ambition, artistic patronage, and the dynamics of social circles.

Indeed, 'The Set' intricately weaves themes of identity and evolving relationships. Paul's ambition to attend art school and his immersion in Sydney's art society represent a significant exploration of self-discovery and social mobility. The film also charts complex interpersonal dynamics, including Paul's affair with Tony Brown, adding layers to its examination of human connection and the often-unforeseen paths love and desire can take within a specific social environment.

Upon Cara's departure, Paul Lawrence's path intersects with designer Marie Rosefield, who takes him under her wing. Rosefield introduces him to a wider circle, including artist Mark Broniski. Broniski, in turn, commissions Paul to design a set for a play directed by the British stage director John L. Fredericks. Paul also finds an ally in art student Tony Brown, whose connection to Paul's cousin, Kim Sylvester, further entangles him within this interconnected social milieu.

'The Set' delves into the life of Paul Lawrence, a working-class Sydney man with artistic aspirations. His journey begins with a relationship with Cara, but her departure for London shifts his trajectory. He finds himself drawn into the vibrant, and at times complex, world of Sydney's art society, becoming a protégé of designer Marie Rosefield. This transition into a new social stratum forms the core of the film's narrative exploration of ambition and belonging.